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Soliloquy 1: O That This Too Solid Flesh Would Melt, Thaw, And Resolve Itself Into a Dew! (Hamlet, Act 1 Scene2)

Before lamenting the fact that God has instituted a law prohibiting suicide, Hamlet is essentially saying that he wishes his filthy (sullied) flesh would melt and vaporise into dew. Hamlet begins by declaring his desire to fade away, or possibly to die. God is the eternal one. "How weary, stale, flat, and unprofitable Seem to me all the uses of this world!" Hamlet adds, "How weary, stale, flat, and expensive Seem to me all the uses of this world!" Indicating he does not at all enjoy things and sees no use in living in this earth. Hamlet then expresses his dissatisfaction with his mother for marrying so soon after his father died. Despite his sadness, Hamlet concludes by stating that he must hold his tongue despite his heartbreak. If Hamlet's mother had chosen to marry, he might not have felt the way he did, but Hamlet is a good lad who clearly loves his mother. Hamlet avoided confronting his mother and didn't seriously consider suicide until he encountered the ghost. He did not think about suicide often, and when he was alone, all he could think about was his mother. Everything would have been fine if he had been permitted to resume his studies.

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Soliloquy 2: O, What a Rogue And Peasant Slave Am I (Act 2 Scene 2)

Hamlet begins his soliloquy by chastising himself for his lack of passion and capacity to communicate strong feelings. He relates his mood to the actors' ability to communicate their fabricated emotions in a way that he could never explain his genuine sentiments over his father's passing and uncle's betrayal. Hamlet continues to extol the actor's praises in spellbound tones: imagine what a presentation this player could put on that would drive the guilty insane with remorse and astonish everyone who witnessed it if he were in Hamlet's shoes.

Soliloquy 3: O All You Host Of Heaven! O Earth! What Else? / And Shall I Couple Hell? O, Fie! — Hold, My Heart... (Act 1, Scene 5)

This soliloquy happens shortly after the spirit of Hamlet's father, the murdered King, departs, having burdened Hamlet with the task of exacting retribution on his killer. The ghost of the deceased king tells Hamlet that a villain poisoned his ear while he slept in his garden. This proves that King Claudius is the true assassin of Hamlet's dead father. The revelation astounds Hamlet, as do echoes of the Ghost's words urging him to remember it. Hamlet's fury and sadness are shown in this soliloquy, which reveals a vital secret to him. When he learns that his father was murdered by Hamlet's uncle, he is horrified, stunned, and heartbroken. Hamlet now calls his mother a "very poisonous woman" and his uncle a "evil," a "laughing wicked villain." Hamlet promises to remember and obey the ghost at the end of the soliloquy.

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Soliloquy 4: To Be, Or Not To Be (Act 3 Scene 1)

'To be or not to be, that is the question,' says Hamlet in his soliloquy, which is possibly Shakespeare's most cited sentence. It is Shakespeare's most famous soliloquy, and probably the most renowned soliloquy in all of literature. Despite the fact that Hamlet's terminology has evolved from earlier references to "dew," it nevertheless points to his complacency in the face of desperation. He asks the topic of death in the abstract, using the infinitive verb forms "to be, or not to be"—making it a "question" of humanity rather than a personal one. These options suggest that deciding whether or not to exist is an ongoing fight for each individual, one that Hamlet attempts to mediate through the metric of "nobler in the mind." This statement emphasises that, rather than a universal ethical code, death is judged on perceived appropriateness or social benefit.

Soliloquy 5: How All Occasions Do Inform Against Me (Act 4 Scene 4)

After Hamlet has travelled away from home, the soliloquy occurs at the end of the play. There he sees Norway's Fortinbras lead a vast army in a battle for a small and meaningless strip of land that neither side values. Soldiers battle for honour rather than money. This prompts Hamlet, a philosopher and scholar, to consider his own situation and the course he must take. Hamlet's father was murdered by his uncle, who eventually ascended to the throne and married Hamlet's mother, but he has done nothing to restore his father's honour or restore his mother's honour. What distinguishes this soliloquy from the others is that it depicts Hamlet's transition from passivity to action, from apathy to ardent pursuit of his objective. We see Hamlet go through different phases of thought all through this soliloquy, from theoretical approach to inward introspection on the province of his own soul, to introspection on the behaviour of others around him and what they would teach him, back to philosophical on the essence of awesomeness and what he must accomplish it, and finally from reflection to declaration of his actions from this point forward. Let us break down this soliloquy point for point in order to fully comprehend his path.

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