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Hamlet, Prince of Denmark is a tragedy composed by William Shakespeare somewhere between 1599 and 1602. The scene is set in Denmark and tells the storey of Prince Hamlet and his quest for vengeance against his uncle, Claudius, who murdered Hamlet's father in order to take his kingdom and marry Hamlet's mother.
Ophelia is a prominent character in William Shakespeare's tragedy 'Hamlet,' who epitomises femininity and is deeply concerned about Hamlet. Learn about Ophelia's character and analyse quotations that illustrate her growth as a character throughout the novel. She is the daughter of Polonius, a close friend of King Claudius. She is defined as a lovely young lady who is also the romantic interest of the central protagonist in Hamlet's storey. Ophelia's passion for Hamlet and her devotion to her father cause conflict and tragedy in her life. Ophelia is a significant character in Hamlet because of her gender and also because she serves as a vehicle for the play's central protagonist, Hamlet, to express his hostility toward his mother. Ophelia is innocent and virtuous, but Hamlet thinks she is, since he believes women seem to be pure and good when they are truly governed by sexual desire and libido. Hamlet is nasty and mean to Ophelia at numerous stages in the play. Ophelia is driven insane after the terrible loss of her father. She kills herself after a series of strange words and actions.
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Ophelia's part in the play might be said to focus upon her connections with three males. She is the daughter of Polonius, the sister of Laertes, and she was romantically linked with Hamlet until the beginning of the play's events. Ophelia's ties with these men limit her agency, resulting in her death. Men have been telling Ophelia what to do since the beginning of the play. Laertes and Polonius warn Ophelia not to believe Hamlet's protestations of love in Act One, scene three, where we first encounter her. Notwithstanding their cautions, Laertes and Polonius both believe in Ophelia's ability to make her own decisions. However, as the situation with Hamlet's mental state becomes more serious, Polonius tightens the controls on his daughter. Polonius forces Ophelia to return Hamlet's letters and reject his love at the beginning of Act Three. Ophelia obeys, but Hamlet has a sexist outburst as a result of her actions. Soon after, Hamlet kills Polonius by accident. Ophelia is overcome with grief as a result of her former lover's brutality and her father's death. She becomes insane in Act Four and dies under mysterious circumstances. Ophelia's tragedy is how, through no fault of her own, she lost her innocence.
Ophelia is good, despite Hamlet's opinion of her. She is a naive young lady who wishes to impress her father as well as her boyfriend Hamlet. She is acting genuinely and is not attempting to deceive or dominate a man, as Hamlet feared. Ophelia is devoted to her father and brother, whom she grew up with. Her father and brother adore her and do everything they can to keep her safe. She believes that following their instructions is in her best interests. Ophelia's father Polonius and brother Laertes oppose her dating Hamlet because they believe he is only interested in her body and has no desire to marry her.
Ophelia's character sketch in the play suggests that she is the most static and one-dimensional of the characters. She has the capacity to become a tragic heroine, overcoming the hardships she faces, but instead she devolves into madness, becoming tragic. Ophelia's role in the play appears to be secondary to her illustration of the play's twofold nature of women. Due to “ Ophelia's involvement, Hamlet's sense of betrayal by Gertrude is much more evident. Hamlet's fury at his mother might be aimed at Ophelia, who, like Gertrude, hides her base nature behind a mask of biblical infallibility. We watch Hamlet's progression, or de-evolution, into a man convinced that all women are prostitutes, and that the ones who appear to be the purest on the outside are black with depravity and sexual attraction on the inside. Women who are harlots, on the other hand, must have salvagers. Claudius turned Gertrude into a prostitute, and her father turned Ophelia into a whore. In Act II, Polonius sets plans to exploit the seductive Ophelia to figure out why Hamlet is acting so strangely. Although Hamlet is not present, it is evident from the previous lines that he has witnessed Polonius attempting to exploit his daughter's attractions for his own gain. There is no grey area in Hamlet's befuddled mind: Polonius prostitutes his daughter. And Hamlet tells Polonius this to his face, calling him a "fishmonger" (regardless of the notion that Polonius is unable to grasp Hamlet's meaning).
Ophelia stands for something very different. Ophelia appears to be the embodiment of goodness to outsiders. Young Ophelia, such as Gertrude, is naïve and infantile. Ophelia, unlike Queen Gertrude, has good reason to be ignorant of life's harsh realities. She is a very little girl who may have lost her mother at birth. Ophelia's father, Polonius, and brother, Laertes, adore her and have gone to great lengths to protect her. She is not active in state affairs; instead, she spends most of her time needlepointing and collecting flowers. She reciprocates Polonius and Laertes' affection threefold, as well as their entire and steadfast commitment. Despite her intense feelings for Hamlet, she abides her father's orders not to see him again or take any of Hamlet's letters. Her heart is clean, and she does things dishonestly out of true fear, such as telling Hamlet that her father has gone home when he is actually hiding behind the curtain. Ophelia clings to the idea of Hamlet addressing her with respect and care, and despite his harshness, she protects and loves him to the end.
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